These are produced using a variety of techniques, materials and processes, including pencil and ink drawing, watercolor, acrylic and gouache painting, collage, and sculpture.

A dry well; a last gasp; a botched heist; a half dozen critiques; a futile, heroic gesture. (Three photographs of the complete, mounted work, and six details.)

The composition of a salad (Two photographs of the complete, mounted drawing, and one detail.)

Four sets of a hundred and ten (One photograph of the complete, mounted drawings, and two details.)

Why I don’t have a girlfriend; why don’t I have a girlfriend? (Three photographs of the complete, mounted drawings, and four details.)

Prologue: a radical shift Introduction to the girlfriend sequence Preparations (Though not included in the larger construction, Why I don’t have a girlfriend; why don’t I have a girlfriend? these five smaller works were produced during the same time period and with the same thematic impetus.) I might have had a girlfriend Two dancers

An exercise of/for/with/against bureaucracy (One photograph of the complete, mounted drawings, and eight details.)

A difference(s) of opinion(s) (Two photographs of the complete, mounted drawing, and three details.)

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